Young Actors And Actresses Biography.
Duse was born in Vigevano, Lombardy, and began acting as a child. Both her father and her grandfather were actors, and she joined the troupe at age four. Due to poverty, she initially worked continually, traveling from city to city with whichever troupe her family was currently engaged. She came to fame in Italian versions of roles made famous by Sarah Bernhardt. She gained her first major success in Europe, then toured South America, Russia and the United States; beginning the tours as a virtual unknown but leaving in her wake a general recognition of her genius. While she made her career and fame performing in the theatrical "warhorses" of her day, she is today remembered more for her association with the plays of Gabriele d'Annunzio and Henrik Ibsen.
In 1879, while in Naples, she met journalist Martino Cafiero, and became involved in a fast paced love affair with him. However, less than a year later, while she was in mid-pregnancy, he left her. The baby did not survive birth, and shortly thereafter Cafiero died as well. Duse then joined Cesare Rossi's theater company, and met actor Teobaldo Checchi. The two married in 1881. By 1885, the couple had one daughter, Enrichetta, but divorced after Duse became involved with another actor, Flavio Ando.
Eleonora Duse portrayed by Franz von Lenbach
By this time, her career was in full swing and her popularity began to climb. She travelled on tour to South America, and upon her return a year later she formed her own company, meaning that she would assume the additional responsibilities of both manager and director.
Between 1887 and 1894 she had an affair with the Italian poet Arrigo Boito, perhaps best remembered as Verdi's librettist. Their relationship was carried out in a highly clandestine manner, presumably because of Boito's many aristocratic friends and acquaintances. (Despite this, their voluminous correspondence over the years survives.) In later years the two remained on good terms until his death in 1918.
In 1895 she met Gabriele d'Annunzio, who was five years her junior, and the two became involved romantically as well as collaborating professionally. Gabriele d'Annunzio wrote four plays for her. In contrast to her relations with Boito, her association with d'Annunzio was widely recognized. When d'Annunzio gave the lead for the premier of the play La Città morta to Sarah Bernhardt instead of Duse, there was a furious fight, and Duse ended her affair with him.
In contrast to Bernhardt's outgoing personality, which thrived on publicity, Duse was introverted and private, rarely giving interviews – preferring instead to let her artistic performances speak for her. The two were unspoken rivals for many years. George Bernard Shaw saw both actresses in London within the span of a few days, in the same play. Shaw gave his nod to Duse and defended his choice in an adamant oratory quoted by biographer Frances Winwar. In regard to her general character, it is important to note that reading was a life-long passion.
Anton Chekhov, said about Duse as a "remakable actress" also. While Moscow's critics and audience went delirious with admiration, Anton Chekhov explained Bernhardt`s success by hard work, but not her.
Young Actors And Actresses
In 1879, while in Naples, she met journalist Martino Cafiero, and became involved in a fast paced love affair with him. However, less than a year later, while she was in mid-pregnancy, he left her. The baby did not survive birth, and shortly thereafter Cafiero died as well. Duse then joined Cesare Rossi's theater company, and met actor Teobaldo Checchi. The two married in 1881. By 1885, the couple had one daughter, Enrichetta, but divorced after Duse became involved with another actor, Flavio Ando.
Eleonora Duse portrayed by Franz von Lenbach
By this time, her career was in full swing and her popularity began to climb. She travelled on tour to South America, and upon her return a year later she formed her own company, meaning that she would assume the additional responsibilities of both manager and director.
Between 1887 and 1894 she had an affair with the Italian poet Arrigo Boito, perhaps best remembered as Verdi's librettist. Their relationship was carried out in a highly clandestine manner, presumably because of Boito's many aristocratic friends and acquaintances. (Despite this, their voluminous correspondence over the years survives.) In later years the two remained on good terms until his death in 1918.
In 1895 she met Gabriele d'Annunzio, who was five years her junior, and the two became involved romantically as well as collaborating professionally. Gabriele d'Annunzio wrote four plays for her. In contrast to her relations with Boito, her association with d'Annunzio was widely recognized. When d'Annunzio gave the lead for the premier of the play La Città morta to Sarah Bernhardt instead of Duse, there was a furious fight, and Duse ended her affair with him.
In contrast to Bernhardt's outgoing personality, which thrived on publicity, Duse was introverted and private, rarely giving interviews – preferring instead to let her artistic performances speak for her. The two were unspoken rivals for many years. George Bernard Shaw saw both actresses in London within the span of a few days, in the same play. Shaw gave his nod to Duse and defended his choice in an adamant oratory quoted by biographer Frances Winwar. In regard to her general character, it is important to note that reading was a life-long passion.
Anton Chekhov, said about Duse as a "remakable actress" also. While Moscow's critics and audience went delirious with admiration, Anton Chekhov explained Bernhardt`s success by hard work, but not her.
Young Actors And Actresses
Young Actors And Actresses
Young Actors And Actresses
Young Actors And Actresses
Young Actors And Actresses
Young Actors And Actresses
Young Actors And Actresses
Young Actors And Actresses
Young Actors And Actresses
Young Actors And Actresses
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Adrian R Mante's_Cam p for young actors and... by armantesCam
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